A Tribute to Hank Cochran by Jamey Johnson

There are many new country music fans these days. I have to admit I cannot keep up with all the new pretty boys who appear on the charts each year, I think they are all made in the same factory for all of their similarities.

One successful country singer that will not be mistaken for his cohorts is Jamey Johnson. Johnson looks like a throwback to the rock and roll sixties but sounds like one of the traditional country singers of that same era.

After the huge success of his recent double album The Guitar Song Johnson decided the time was right for him to vere even further off the expected path and do a tribute album. I will admit I did not know who Hank Cochran was but after listening to the songs on this album it is a sure thing that we all know this man's songs.

Johnson his voice as always sounding like Scotch rolling over jagged rocks is simply amazing in this album. Never wanting too much of the spotlight, and realizing how much respect there is in country music for Mr. Cochran, on each song Johnson is joined by a well known artist. The combinations work extremely well. If I had heard this album last month it might well have ended up in my list of the year's best.

All the songs on this album are done well but a few stand out. The first song to be promoted on the album was a version of Make the World Go Away with the angel voiced Allison Krauss. If you think this is an odd pairing of voices you are correct but it works on every level.

Also of great note is a version of I Fall to Pieces where Johnson is joined by Merle Haggard. Somehow I do not see Merle doing a duet with any of the male models in cowboy hats that are on he charts these days, Haggard knows and respects authenticity and his joining Johnson here tells you all you need to know.

Willie Nelson, one of the last living of the original outlaws, is a great friend of Cochran's and lends his voice to two wonderful songs "Don't you ever get tired of hurting me?" as well as the Cochran standard "Livin for a song."

This is a wonderful album and a great tribute too, if one looks at the list of songs on the album they cannot help being surprised that all these great songs were written by one man that few in this generation have ever heard of. If changing that is the goal of this album, mission accomplished.

We Walk the Line : A Celebration of the Music of Johnny Cash

Last spring a concert was held celebrating the 80th birthday of Johnny Cash. The list of performers who lined up to perform was a veritable who's who of the list of alternative and outlaw country performers. As has been well established I am a huge fan of cover versions, obscure or faithful to the original, of songs.

Therefore as a huge Johnny Cash fan, a fan of Outlaw country, and a lover of cover songs this was the triple threat. I was not disappointed. This is a fantastic album. My wife is tired of it already most likely as Spotify has been playing it for me for the last week.

Every song on this album is a great interpretation. Opening with Brandi Carlisle ( who we saw opening for Ray Lamontagne a year ago) doing Ring of Fire, then proceeding to Ronnie Dunn's version of Ring of Fire and Buddy Miller doing Hey Porter we then land on the first standout song of the album.

Lucinda Williams is another of those polarizing singers, I land firmly in the Love Lucinda camp, and her version of the Cash classic from the nineties Hurt is wonderful. Williams rasp is well suited to this song.

Two songs by bands I have heard of, but had no real exposure to, have made it a certainty that I will soon be exploring these artists full catlog's The Carolina Chocolate Drops ( what a name ) do a blistering take on Jackson that has been played about twenty times in our house since discovered. That is followed by a band called Iron and Wine which is from what I understand predominantly one man, singing a version of Long Black Veil that is nothing short of wonderful.

Kris Kristofferson croaks through Big River and Shelby Lynne then does Kristofferson's own, Cash interpreted Why Me Lord.

Surprising, at least to me, is how effective Train lead singer Pat Monahan was on a version of Help Me Make it Through the Night and then with help from Shelby Lynne on It Ain't Me Babe. Very good. It should be noted that the concert was not just songs Johnny wrote but songs he interpreted himself as he and June did a version of the Dylan classic. Lynne and Monahan did them proud.

Near the end of the album we get Sheryl Crow doing Cry Cry Cry and then she joins Willie Nelson on If I Were a Carpenter. Nelson himself sings I Still Miss Someone, surprisingly though these two artists contributions are far from the highlight.

Shooter Jennings and Jamey Johnson fill out the Highwaymen, Jennings particularly effective in his father's role, joining Willie and Kristofferson on their famous title track from which the group got their name.

The highlights of the album, as strong as these songs earlier mentioned were, are so far and above the other entries that I have saved them for last.

Kris Kristofferson, still croaking, joins Jamey Johnson for a version of Sunday Morning Coming Down which might be a more faithful rendition than any you will ever hear to the true spirit of the song. Johnson, himself, might well have the strongest, most traditional voice in country music. At times he seems like he has come along a generation too late but we are lucky for it. This is a fantastic song.

Shooter Jennings covers Cocaine Blues and proves that he, as well as Johnson, are proof that country music still has artists that remember their heritage.

Surprisingly perhaps the most unique song on the album is from the former lead singer of Evanescence Amy Lee who destroys I'm So Lonesome I Could Cry. Listening to her voice on this track begs the question where has she been?

And of course that version of Jackson, earlier mentioned rocks too.


This is one of the best albums of the year.

Heroes by Willie Nelson

Willie Nelson released his newest album a couple of weeks ago. Nelson, pushing eighty, has a voice that is still remarkable, as recognizable as any in music.

The Album features many guests and contributors with Willie's son Lukas playing and singing on many of the songs in the album. His son, with a voice a little higher and more nasal than his father, is a fine singer but the truth is Willie's voice is like velvet, this album needs less help and more Willie.

Still the album is strong. Willie continues his recent pattern of recording some of the best covers of rock songs that you have ever heard. On this album Willie's version of Coldplay's "The Scientist" is stunning in it's simplicity. You might remember that Willie's take on this song appeared on a Super Bowl commercial for some Mexican resteraunt chain. On this album Willie also performs the Pearl Jam song " Just Breathe." This, too, is a fantastic version of a good song.

I also want to offer advice on a song that does not appear on this album. On Outlaw Country on XM I recently heard Willie performing a version of the Dave Matthews song " Gravedigger." I do not know what album is it on, for whatever reason his version of this song is not on Spotify. I will say this however, this song is one of the best I have heard in the last year. The lyrics and Willie's voice are a perfect combination. This song is as moving as you will hear. Find it.

Returning to the album, one song the contributions strengthen is the title cut. With the unmistakable voice of Jamey Johnson and Texas music legend Billie Joe Shaver this song is a strong entry.

Proving that love of marijuana can bridge culture gaps Snoop Dogg joins Willie for the fun song " Roll Me Up and Smoke Me When I Die. " It is cute but in truth the help of Shaver and Johnson is more significant.

Willie is at his best on the songs that are just his, new songs such as A Horse Called Music and That's All There is to this Song.

This is a very strong album.

The Guitar Song by Jamey Johnson

Last year I thought this singer's song " In Color " was one of the best songs I had heard in quite sometime. Hearing alot about this album before its release: it was a double album with one side devoted to dark and one to light, that it was a real country music album, I decided to check it out.

I have listened to much of the album. At 25 songs there are still more to hear. The verdict is clear however. This is truly the best country album you will find this year, next year or perhaps until he releases another. No fluffy pop country here Johnson's voice sounds like he ate sandpaper for breakfast and his lyrics will make you feel just what he feels.

Truly a descendant of Haggard, Jennings and Jones this is a great album.