Showing posts with label The Godfather. Show all posts
Showing posts with label The Godfather. Show all posts

Friday, January 25, 2013

Parenthood Wrap Up and Modern Family's Visit From the Godfather



This was a busy week in television with the return of American Idol and the beginning of the new Kevin Bacon series The Following on Fox. I have already written about The Following and while we watched Idol it is kind of a big yawn.

Not boring this week were a couple of our regular favorites. Parenthood, the much loved but low rated NBC series, ended it's season with a show that wrapped all of the bows of the season up in a nice package. If you were looking for there to be any loose strings you did not find many. The Ron Howard produced show is consistently one of the best shows on the air, people joke about crying each week, but folks only cry when a scene hits home.

NBC finished the series off quickly as they want to make room for their rebooted show SMASH, which coincidentally is another cult favorite that the network would like to see build a broader base. As to Parenthood the worry each spring is NBC will pull the plug but it seems unlikely that they will throw such a well regarded show over the side. If that decision is made certainly it's viewers will have to be happy with the season end.

Over on ABC Wednesday night Modern Family had a smart episode. The plot line was typical sitcom stuff but what made this show standout was the ending sequence which out of the blue put together a spin on the culminating scene in the Godfather when the baby is being baptized and at the same time a wide variety of hits is going down all over Gangster world, even with the " Do you renounce Satan" line. The short clip at the end of the series even had Phil and his son closing the door to the den in Claire's face telling her " not to ask him about his business." This is pretty clever stuff and while silly this is culturally aware silly as opposed to the foolishness that typically goes on HIMYM that I wrote about last week.

Both of these shows are standouts this week.

Monday, October 8, 2012

The Conversation


When one thinks of the great movies of the seventies and there were many The Conversation does not often come to mind. In fact this was not even a movie I was aware of until recently when it appeared in reference to a few other movies that I have watched.

The Conversation was the baby of Francis Ford Coppola. Fresh off his Godfather success Coppola wrote, produced, and directed this psychological thriller starring Gene Hackman.

Hackman plays Harry Caul a surveillance expert who according to one of his peers is " the best bugger on the West Coast." Through the movie we learn that a recording that Caul did years ago led the deaths of a rat in the Teamsters union as well as that mans family. He lives with that guilt. Most of what he does in his career are of the typical insurance scam, cheating spouses sort of thing but as the movie begins we see Caul and his crew performing a unique surveillance.

Two people Bernie Moran, played by Frederic Forest and a woman known only as Ann, played by Cindy Williams, yes that Cindy Williams of Laverne and Shirley fame, are walking around a public square having a conversation. The Conversation is about that conversation and it's effects on all the people. John Cazale plays Caul's assistant. Cazale soon on his way to dieing of cancer and fresh off his role as Frodo in The Godfather was, even in a small role, magnificent.

Hackman again plays an everyman. This is not some suave, debonair, spy. This is a rumpled, balding, eyeglass wearing, everyman who lives in a small nondescript apartment, obsessed with privacy and security and who when he gets home the first thing he does is take off his pants and spend his evening in his boxers. No Harry Caul will never be confused with James Bond.


When preparing the tapes for his buyer Caul becomes concerned that these tapes may lead to someone's murder. Hearing Bernie say to Laurie as they walk around the square that " he would kill us if he could" he becomes sure that his client might do just that. With his past experience this sends Harry into a state of controlled panic. What we learn as the movie progresses is that what you think you hear is often not what you hear and the results of misinterpretation are sometimes much more severe than one might think.

Also starring in this movie are a young Terri Carr and an even younger Harrison Ford along with an uncredited performance by Robert Duvall. Still the movie is Hackman's from beginning to end, a tour de force performance, with Hackman a little more out there than his normal role.


Not quite the movie I expected but certainly one that I would reccomend.

Thursday, September 16, 2010

The Deer Hunter

I watched this movie this week. It was a movie that allows you have to have different opinions about it. Robert De Niro was wonderful in it. Christopher Walken was very good, a far cry from some of his less serious roles of late.

A young Meryl Streep is beautiful and subdued in her role. Reading the backstory one cannot help but center on John Cazale. After playing Frodo in the Godfather movies his place in movie lore is assured. In this movie he sealed it by despite having end stage lung cancer which had moved to his bones she chose to take this role. Meryl Streep,his fiance at the time joined him in the movie was the woman caught between Walken and De Niro.

The movie told in 4 scenes goes between Vietnam and Clairton, Pennsylvania. The main characters, all Russian Americans are all affected in some way by the war.

The movie won Best Picture and while I liked the movie that seems extreme. The Vietnam scenes, and extended scenes of forced Russian roulette were extreme then and are extreme now. Walken's character Christoper, after going AWOL gets sucked into the gambling scene in a fallen Saigon and that seems a little off from the rest of the believability of the movie.

For me however the most memorable scene is the last scene. After the funeral for Christopher the characters are having coffee around a table. Cazale, whose scenes were filmed first as he was literally at deaths door, is seated next to Streep while the characters somberly reflect on the loss of their friend. In the movie the characters did not interact much so this seating must be on purpose. As a final gesture to the real life couple who would soon be facing Cazale's death. This and this alone makes this movie memorable.